Fredward said:
I'm very cynical behind 'modern art' so wouldn't think of that 'chair' as beautiful.
Funnily enough, I'm actually much more cynical then alot of people when it comes to contemporary art, but like with any discipline, there are genuinely interesting and beautiful works, but there is also twice as much faff that is created for commercial/market purposes
*cough*Andy-Warhol-Damien-Hirst-Tracy-Emin*cough* that you have to sift through before you get to the good stuff.
Fredward said:
I suppose it's an art form I don't get... but I do find it annoying that someone can sell a bunch of plumbing for millions and a concept artist can only get little (depending on the company who employs them) when in my opinion requires more creativity.
I think all mediums of creativity are worthwhile whether they be concept art or pretentious gallery art, but I agree that it is greatly concerning how the fine art world has become an elitist market where only certain fashionable forms of art are allowed to rise to prominence. Further to that, the fine art world has become a cynical investment industry with buyers making decisions on a purely financial basis. I would recommend anyone to watch both the late Robert Hughes' documentary, 'The Mona Lisa Curse', and Ben Lewis' BBC documentary, 'The Great Contemporary Art Bubble' if they want to know more about this very issue.
As for Tattoo and body art, It's not really my sort of thing but I think it's easily as daring as any contemporary art as it is permanent and the owner will have it with them at all times. Now that's what you call commitment to a piece of art!
Now for another selection of beauty:
Francisco Goya's etching,
'The Sleep Of Reason Produces Monsters'.
The way I've always read this piece is that Goya as an intelligent and reasoned man, see's the world for how it really is and it is this 'sleep of reason' that plagues his mind with the true horror of reality. He feels isolated and thoughts of the world's woes bombard him to restlessness. His understanding is what brings him his troubles, so much so that you sense he wishes he were free of it, so he can live his life without worry or care.
Without wishing to sound egotistical or pretentious (no doubt far too late for that
), there have been a few matters in which I really feel the pain of Goya's work. My mind has obsessively thought about issues that I can have little or no effect upon, so much so that my outlook on life becomes very bleak and lonely. Often I find art to be so beautiful because it depicts my own internal conflicts, and this is most certainly the case for this piece.
The next piece I am posting is strange in the sense that it is an architectural project which has not been built and unfortunately, it probably never will be. It is a design for a Bridge Museum between the US and Mexican border and was designed by Fernando Romero.
Instead of the hostile atmosphere of austere separatism that dissects this troubled border, we have a beautiful idea of joining lands and working together to create a co-operative future. Creating a bridge museum here has great symbolism of the unity of humans in the face of cold political/national divides.
It's just beautiful, even if you do not find the aesthetics to your taste, I think everyone can admire the idea and what it means.