DiogoJ42
TS Member
- Favourite Ride
- The Metropolitan Line
Well, it is in the nature of us lighting peeps to want to try out new ideas, or new products. But at the same time, there are only so many ways to light certain things. And if something works, changing it just for the sake of it is pointless.
.... Whenever producers want to give a show a "fresh look", they will fire the current lighting director and hire a new one. Rather than, you know, asking the person who's been doing this job for several decades if they would like the chance to try out something new?...
So it's possible that the person/people in charge are an all new team and don't even KNOW what has been done in the past and worked / didn't work. Because over the years they must have tried just about every possible method of illumination.
Budget cuts aren't even an excuse. You can do great things with few monies.
(While I've not been for a few years, I think the best seasonal lighting I've ever seen was, to jump on the 2010 bandwagon, the 'writing' gobos all over the walls by the exit of Hex, with the green wash. Nemesis was washed in red, with the high points of the track picked out with a single o/w tungsten PARcan for each feature, making it look like bones sticking out of the red flesh.)
.... Whenever producers want to give a show a "fresh look", they will fire the current lighting director and hire a new one. Rather than, you know, asking the person who's been doing this job for several decades if they would like the chance to try out something new?...
So it's possible that the person/people in charge are an all new team and don't even KNOW what has been done in the past and worked / didn't work. Because over the years they must have tried just about every possible method of illumination.
Budget cuts aren't even an excuse. You can do great things with few monies.
(While I've not been for a few years, I think the best seasonal lighting I've ever seen was, to jump on the 2010 bandwagon, the 'writing' gobos all over the walls by the exit of Hex, with the green wash. Nemesis was washed in red, with the high points of the track picked out with a single o/w tungsten PARcan for each feature, making it look like bones sticking out of the red flesh.)