Same kind of thing with the Towers too, but to a larger extent. Inside we only saw the conservatory, Drawing Room, up the stairs to the roof and back down, Long Gallery, Banqueting Hall and the Chapel. But again, in this situation you only have less than an hour really. There was no access to the Music Room, Poets Bay and the West Wing. No looking at the Pugin Rooms on the way up to the roof etc. Even the little waxworks room was fenced off from the Drawing Room.
This is the bit I'm most concerned about, in how they have restricted the access to the towers by putting it behind a tour.
With a tour, they can point guests at areas they want to talk about (i.e. look at this stain glass window, Merlin restored, aren't we such good custodians?), whilst downplaying or ignoring areas that they don't want to talk about (i.e. oh, let's not look in this room over here, it's just a prop store room, definitely no original plasterwork or stained-glass to see in there).
I'd be interested to know if they referenced the closed areas during the tour at all? Or if they just passed by all the locked doors without comment?
Merlin seems to be keen to re-write the history of the Towers, to downplay the importance of the ruins as a whole, as well as rooms that they would like to either permanently use for storage or scare mazes. This has also been seen in how they discuss the ruins in some of their recent planning documents.
What isn’t clear is whether this mischaracterisation is due to commercial pressures (for example that it is just an unfortunate side-effect that The Pugin Rooms are being used as part of The Attic, which now means that some of Pugin's final work is now permanently hidden and at risk of being damaged as part of a scaremaze) or if it is due to the current management's lack of knowledge of the heritage they are supposed to be looking after. Arguably the first scenario is pretty bad, but the second is even worse, because if you don't know about your heritage, you are likely to damage it without knowing.
Ultimately, to the best of my knowledge there is no one employed at Alton Towers specifically to manage the park's heritage and balance the protection of that heritage against commercial pressures, and that shows. If you ask a ride operator to manage a heritage asset, then it makes sense that they will treat it like the other ride, hence why they can't see how to make it viable beyond popping Scare Mazes in there and the occasional 'VIP' experience.
With the new tours, the focus is on what is said by the tour guide, rather than being able to explore the ruins at your leisure. And ultimately this means that for most people the ruins will now be a 'once and done' attraction, whereas, formerly for many people, they would have been a 'once every couple of trips' or 'once a year' type of attraction. That's not a long term plan for allowing public access to the building, which is why I have such an issue with the approach the Merlin have taken.
In an ideal world, Alton Towers should have some type of
Director of Heritage position as part of the senior team at the park. If they got in a suitably experienced person (for example someone with a background at the National Trust, English Heritage, etc.), they would be in a much better position to protect the heritage on site and open it up to the public in an appropriate (and dare I say commercially viable) way.