I don't really think this is adding anything to the discussion because you're just mistaking what people are saying. And for domestic speakers (which are completely different), Bose obviously wouldn't be a good choice, so your experience with domestic Bose products is not relevant really.
That's not how it works? Oh okay, in future all business' should stick with their current supplier and ignore competitive offers from companies offering the same kind of product for less then. Thanks for the lesson in business there Bill.
Either an audio contractor will select their products they believe to be most suited to the project (whether its a new attraction or a redo of an audio zone) and give their overall price as part of the tender, in which case speakers are bought from the speaker company based on their value and merits, not purchased by the park. Or the park's in-house tech department will go to Bose or Ohm or whatever and buy whichever models they believe to be most suiting (which has happened recently).
But if a speaker brand has to 'offer' alternatives and say 'we'll sell you better speakers at a better price', then it wouldnt make any sense for the park to go 'jolly good, we'll replace all our existing speakers at a cost of 100s of £1000s with whatever you're offering'. The park or contractor has to decide what the purpose and function of the speakers are first, because different speakers have to do different things in different environments, and have to last many years of constant use in theme parks.
It's a specialist market, not a consumer market, not a shopping trip to Aldi.
Walking into Forbidden Valley with the wonderful Nemesis area music distorted and crackling through Bose speakers
Are you talking about the newly added speakers from Gloomy Wood that sound crackly and awful? This was added this year, after the change from Bose, and probably uses old spares they put in the bushes and sound like they're overloading. Not necessarily anything to do with the brand, and not a professional install so there could be all sorts of reasons why this area sounds awful.
Do you realise how robust a piece of kit has to be to play outdoors for constant hours of operation for years at a time? What about the Bose speakers that had been playing around Nemesis for 20 years and seemingly still worked fine (replaced as of this year)? If I'm right Alton Towers weren't even using the full quality master of the Nemesis music for the last 10ish years anyway, so that might explain what you were hearing.
I've worked with audio in theme parks and know some of the UK's best theme park audio contractors. It's not my 'personal opinion' that they're hard wearing, that's the industry's years of experience with them. Tussauds Studios struck a huge discount for Bose products when most audio projects were in house, so parks were hardly "paying for the name" either. Other options are now being trialled and used, so long as those results are also good, that's fine...